Monday, November 24, 2008

Letter Giving Permission To Travel

Disappear




Title original: Shissô: boku ga kanojo or tojikometa wake
Country: Japan
Year: 2005
Director: Hideo Jojo


Asi, Yinan Kwangshu and have been friends since childhood and school friends. When the years pass, Asi becomes a beautiful girl and decides to get engaged to Kwangshu, breaking my heart to Yinan who has always loved you in silence.
After a series of involuntary and incredible adventures, Asi finds himself a prisoner in that house mad Yinan decides to keep it for himself convinced of being able to conquer (or at least exploit ..) in this manner.
In the outside world everything continues normally, people live their life and work in Yinan small workshop where he spends most of the time is boring and repetitive as ever, with the only diversion found a goose that wound becomes mascot for the case of the workers.
In the small house, Asi tries to get by as it may, without abandoning the idea of \u200b\u200ban escape, that more than once trying to achieve without success.

From here all right, not so much a tragedy that lurks behind a big misunderstanding behind a dull soup worthy of the best shojo manga. No mention
horror, only pain and violence in a film on the outcome not so obvious as one would expect, but perhaps forcibly honey, despite the apparent inability (or perhaps just difficult) to conclude differently.

Interpretations annoying to the limit of physical pain (the symphony of asthma è una sofferenza per le orecchie) ma anche intense e drammatiche al punto giusto, in un film decisamente non facile da vivere e rappresentare, scomodo per tanti versi. Non si tratta di violenza visiva quanto piscologica, in una spirale di eventi che, seppur estremizzati alla classica maniera nipponico-autodistruttiva, sono spesso comuni a molti di noi.

Scomodo, ma avrebbe potuto essere molto peggio (o meglio?)


Voto: 5,5

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